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The specified period turned out to be extremely rich for the cinematography of Ukraine in terms of the thematic focus, which was represented by the historical and biographical genre: "Taras Shevchenko", "I'm Coming to You", "Yaroslav the Wise", "The Legend of Princess Olga", "Danilo - Prince of Halytskyi" and others; interpretation of the theme of the Great Patriotic War: "Only "old men" go to battle", "Aty-dad, the soldiers went", the trilogy about Kovpak, "High Pass", etc.; psychological drama: "/Bathroom", "Commissars", "Long Farewells", "Military-Field Romance", "White Bird with a Black Badge", "Flight in a Dream and Awake", "Rooks", "How Young We Were ", "A wedding is accused", "Adam's rib", "Three stories", etc.; screen adaptations: "Malva", "Sailor Chizhik", "At a high price", "Land", "After two hares", "Weed", "Bread and salt", "Stone cross", "Lost letter", "Babylon -XX", "Black chicken,

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The 1960s and 1970s were rich in monographic publications, which covered specific problems of domestic cinema. In the 70s, the works of I. Kornienko "Half a century of Ukrainian Soviet cinema" (1970), "Cinema of Soviet Ukraine" (1975) were published. The appearance of these books made it possible to create an academic history of Ukrainian cinema. Of the planned three volumes, only two were published. And there was a certain regularity in this. The fast-moving course of events, the change in social attitudes made the third volume obsolete already in the manuscript. Did this mean the rewriting of history, about which some learned men lamented? Probably not. It's just that history began to reveal its secrets, which had been carefully hidden for a long time. And artistic phenomena, accompanied, it would seem, by a fixed look, suddenly appear in their other renewed quality.

During the years of its independence, Ukraine continued to be under pressure from Russia and its language. Let's watch the famous Ukrainian series: "Matchmakers", "Sniffer", "Female Doctor". All of them are in Russian. It is not surprising that catchphrases from Ukrainian cinema do not "fly" in the world. In fact, they "fly", and, unfortunately, in Russian.

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A characteristic feature of French cinematography in the 30s–60s of the 20th century. was his constant connection with the processes taking place in the philosophical environment. Thus, the creativity of the country's leading cinematographers (M. Carnet, J. Renoir, A. René, etc.), who worked in different historical periods and held different aesthetic positions, was stimulated by the concepts of the outstanding European theoretician A. Bergson. The American "counterculture", which was based on the concept of neo-Freudianism, the idea of ​​youth rebellion, was represented by A. Penn's films "The Chase" and "Little Big Man"; M. Nichols "Graduate"; D. Hopper's "Light Rider"; M. Forman - "One Flew Over the Cuckoo's Nest" etc.

During the years of its independence, Ukraine continued to be under pressure from Russia and its language. Let's watch the famous Ukrainian series: "Matchmakers", "Sniffer", "Female Doctor". All of them are in Russian. It is not surprising that catchphrases from Ukrainian cinema do not "fly" in the world. In fact, they "fly", and, unfortunately, in Russian.

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