diziler 12 years promise

The release of the film M.Forman's "Amadeus" is a brilliant interpretation of creative and personal confrontationMozart and Salieri.In this decade, R. Redford, J. Lange, M.Strip - worthyinheritors of the great acting traditions of the US cinema.Significant gainsAmerican about cinemaof the last two decades are primarily associated with the names of F.F.Coppola (the third part of "The Godfather", "Bram Stoker's Dracula", etc.);S. Spielberg("Schindler's List ", "Jurassic Parkperiod" etc.); R.Zemeckis ("Forrest Gump"); D. Lynch("Blue Velvet ", "Your Shke", etc.).However, at the same time, many others appear on the screensthird-rate film production.Nowadays, almost all the modern ones are included in the Hollywood assembly linefilm genres tending tointeraction: a gangster movie –"Honor seven! Prizzi" by J. Hustonand "Married to the Mafia"J. Demmy (comedy invariance of the genre), "Oncein America" ​​S. Leone, "The WayCarlito"B. de Palma, "On the Crest of the Wave" by K. Biglow (with elements of drama); thriller - a synthesis of detective andhorror film - "Heart of an Angel" by A. Parker, "Silence of the Lambs" by J. Demmy, "Cape Fear" by M.

The last three decades of the 20th century. become a prime time for outstanding artists of our time: F. Fellini - "Rome", "Amarcord", "A ship sails..."; M. Antonioni - "Zabrisky Point", "Profession: reporter"; L. Visconti - "Death of the Gods", "Death in Venice", "Ludwig", "Family portrait in the interior" (Italy); I. Bergman – "Snake's Egg", "Autumn Sonata", "Fanny and Alexander" (Sweden); A. Kurosawa - "Seven Samurai", "Shadow of the Warrior", "Wound" (Japan); A. Tarkovsky - "Andrii Rublev", "Solyarke", "Stalker", "Nostalgia" (Russia).

Ch. Chaplin's films are works that made a significant contribution to the development of the visual system of the cinematography, its montage structure and fulfilled the ultimate task of art - won the love and recognition of viewers all over the world. The 20s of the XX century. entered the history of world cinema as an extremely interesting period of experimentation and innovation. There was a process of finding new forms, visual means and techniques, awareness of the montage-poetic nature of cinematography, that is, in the bowels of cinema, its own aesthetic system was formed.